Radical
Non-Resistance
& the Art of
Transgression

Curating the exhibition?
Why and who for?

 

In the winter of 2020 at Riverside Artist Studios, Middlesbrough, I wondered the viability of initiating/authoring/curating an exhibition project about displacement, cultural empowerment and social transformation. By this time my research into key publications (listed below) had helped me figure a more substantive mindset to questions about why, how and who could/would be involved? ‘Radical Non-Resistance & The Art of Transgression: Pease, Butler & Spence’ quickened as an idea prior to COVID lockdown and became specific in its immediate aftermath. The impetus to push this project is, at its simplest, a way for me to say ‘hello again and thank you’ to Jo Spence who was my post graduate studio tutor in Fine Art at Newcastle Polytechnic in 1989. Unsurprisingly the impact of her work and its agency is an active thread in the exhibition work presented at each venue. The objective to promote positive regard for the achievement of people of, from and working in the North East was and is a focus point for me to continue to aim for. 

Phil Gatenby, Curator 01.07.2025

Many thanks

The exhibition project titled ‘Radical Non-Resistance & The Art of Transgression: Pease, Butler & Spence’ appreciate support from sponsors, host venues and project partners alongside commissioned artists who generously offered their knowledge and expertise throughout.

Sponsors

Arts Council England (ACE); Creative Darlington; Josephine Butler College; Durham University and; The Auxiliary (Middlesbrough).

Commissioned Artists

Dave Allinson, Pip Dickens, Alec Gatenby, Claire Grey, Karen Melvin, Pat Naldi, Alicia Paz, Nicki Peacock, Jo Spence Estate (via Richard Saltoun Gallery), Teresa Stehlikova and Ikuko Tsuchiya.

Host Venue and people support on-site  

Josephine Butler College, Durham University. June 5th – July 6th 2023

Exhibition title: ‘Indelicate, Ungenteel, Vulgar & Outrageous Women’ IUVOW

Pete Carson, operations team leader

Billy Errington, project specific student liaison

Birdie Jackson. ‘Docusong’ sound work sponsored by Josephine Butler College

Professor Simon J.James, Principal, Josephine Butler College (JBC)

Karen Langdon, Vice Principal, academic lead, on-site co-ordination

Dr Louise Powell, Writer in Residence (JBC) introductory IUVOW text

Lynsey A. Drinkhall, student experience officer

Jane Robinson, author ‘Josephine Butler – A very brief history’ SPCK 2020 & Guest Speaker

Host Venue and people support on-site  

Crown Street Library, Gallery. January 31st – March 25th 2024

Exhibition title: ‘Place, People & Living Memory’ PP&LM

Stephen Wiper, Creative Darlington Manager

Katherine Williamson, Librarian, Centre for Local Studies

Chris Lloyd, Chief Features Editor & Guest Speaker, Northern Echo, Darlington

(Exhibition feature: ‘Stepping from the Shadows’ published 03.02.2024)

Key Research Publications

Clare Midgley: ‘Women Against Slavery – The British Campaign 1780-1870’ Routledge 1992

Anna M. Stoddart: ‘Elizabeth Pease Nichol’ J.M.Dent & Co 1899

Jo Spence: ‘Cultural Sniping – The Art of Transgression’ Routledge 1995

‘The Women’s Press Bookclub Catalogue’ April – June 1991 issue 

Design, Production, Fabrication & Installation 

Duncan Butterfield, vinyl signage

Anna Byrne, The Auxiliary, bid writing

Alec Gatenby, Studio Projective, photo-essay print/screen design

Jonny Green, installation

Adam Howarth, bespoke framing

Gary Mawson, Tees Print, photo-essay/print/publicity production

Nicky Peacock, exhibition staging

Adam Shaw, installation, venue fabrication 

Liam Slevin, The Auxiliary, screen/sound/media equipment

Mark Thompson, Exhibition Walls Company, venue fabrication

Alex Wallis, Van Haulin, specialist Fine Art carriage

Licensing & Copyright

Alamy, photo-stock agency

Mary Evans, photo-stock agency

Maggie Murray, photographer

National Portrait Gallery, Primary Collection

Saltoun Gallery, Jo Spence Estate

Financial Times UK, archive newsprint 

New York Times USA, archive newsprint

Project Curator

Phil Gatenby b 1950. Former Head of Department, Fine Art (Retired 2014) School of Arts & Media, Teesside University. Currently self employed (2014) artist/curator/practitioner via Materiality in Painting.